Sunday, 11 December 2016

Bring on the eunuchs!

So I watched Paddington again.  What can I say?  Brilliant film.  Peter Capaldi at his saucy best, lots of life lessons from Ben Whishaw, all so well played and underplayed (except maybe Jim Broadbent is playing just slightly too close to a caricature?).

And then the credits went up, and I was talking to my friend, and among the hundreds and hundreds of names that went up the screen while my eyes were elsewhere was this:


Do you see it?  Shall I zoom in?


And a little closer?  Yes?


That's right.  It turns out that I was one of the compositors on the film of Paddington.  Or, possibly more likely, that one of the compositors on the film of Paddington shares my name.

So, probably the second one.

But the point is, I saw that from across a room on a screen I wasn't even watching, among so many other names.  I think I'm in love with my own observational skills, and I didn't see that coming.

Anyway, hello Ian Fellows.  Great name.  Good compositing (whatever that is).

It's not just visual.  I can hear my own name (or job title) used in a room even when I'm having a completely other conversation.  So can you - except it's probably your name that you pick up on, not mine.  I'm not quite that narcissistic.  Yet.

And indeed I have a magnificent colleague who can hear her own name from - I think - a distance of about a mile.  We perk up and try to find out what's being said, or whether we're needed, or if my name is being taken in vain (I'm the vicar, I get blamed for everything.  I probably killed Kennedy and made that hole in the ozone layer myself, I tell you).

So it's amazing how our brains flag up what's pertinent to us among a barrage of multi-sensory stuff going into our eyes and ears and elsewhere.  Our amazing brains process and discard so, so much, and then my name is on a screen in the same room and I'm all over it.

Which reminds me of a story.

A native American is taken to the big city by someone in big business.  The sounds and sights that assail him are overwhelming.  Cars, neon lights, the chatter of crowds…  and then he stops suddenly, distracted, and leads his friend across to a small green patch on a street corner.  Kneeling down, he roots in the grass and emerges with a grasshopper sitting on his hand.


It's just not (a) cricket

Says his friend in big business: "How did you know that was there?"

"I heard it," said the native American.  

"From all the way over there?" asks the businessman.  "Impossible."

To this dismissal, the native American responds by asking for a coin, and on being give a nickel, he tosses it in the air.  It lands on the sidewalk with a faint ching, spins a second or two and settles.

"Look," says the native American.  And when the businessman does, he sees that whole dozens of people have stopped their walking and are looking at the pair of them where the coin has fallen and made a tiny sound.

"Where your treasure is," observes the native American, "there also will your ears be."

A coin toss, yesterday.

And what I want is to be attuned not to grasshoppers or money, but God's heartbeat.  I say that because I'm not that good at it.  I'm sure I miss lots of times when God is prompting me, or else I dismiss the idea as ridiculous (or inconvenient).  The times when I think I hear him - or feel some degree of empathy with his heart and agenda in a situation - and follow through, the results tend to be worthwhile and entertaining and sometimes even blog-worthy.  I have a friend - Miriam - who follows through with these sets of things and has the most bizarre adventures which can only have been set up by God.  She has the mild advantage of not having a television and living in a caravan off the Oxford ring road.  But.

I tender you as example the disciple Philip in the early chapters of Acts, who is open to the voice of God and finds himself on a magnificent adventure running beside a chariot containing an African eunuch, explaining to him the prophet Isaiah and ending the day baptising him in a river.  But only because he heard.  Only because he was listening.

Thank God he was reading Isaiah 52-3 and not some snatch of Song of Songs...

I'll stay aware of my own name.  I'll try to avoid the lure of money.  I'll dare to do the slightly mad detours that God calls me to take, because that way lies adventure, and staying out past my bedtime, and new experiences, and the reminder that God is still alive and having fun in our world.  Bring on the African eunuchs!






Monday, 5 December 2016

The Two Edges Of Seventeen

One of the joys of life is the Cineworld Unlimited card.  Other subscriptions to viewing material are available, but this one gets me on my bike, out of the parish and up to Parrs Wood or Ashton on a regular basis so that I can


  • (a) get my money's worth out of the fee
  • (b) watch films!
  • (c) get my money's worth out of the fee


Paying a flat rate every month means I will take a punt on some films that I wouldn't generally otherwise see, and that I certainly wouldn't risk £10 a ticket on.  Even when I see a complete dud of a film (no names, but The End and The Harry Hill Movie spring unbidden to mind as 90 minutes each that I won't get back and could have spent more gainfully, like creosoting my toenails or spitting into the rain) it's not an occasion for a rueful kick at the waste of money but rather an opportunity to marvel that there were people in the world different enough from me to enjoy the shocking spectacle I'd have preferred to walk out of, and to wonder whether church is offering these people adequate chance to meet with God.

(Started well, that sentence, but it got away from me.)

In a busy world… in a world that is ever more fragmented into cultural niches… in the echo chamber that is Facebook where I only ever read the posts of like-minded people… well, it's good to cross a cultural divide.  See what the other half watch.  And instead of simply watching the films I know I'll like and that will pander to my liberal agenda, I get to see things that challenge me.  A recent Jewish film festival!  I even saw a chick flick recently.  And a mindless action thriller.  And Olympus Has Fallen.  And The Heat.

What I'm saying is, get out of your comfort zone - in life and at the cinema and in the Radio Times and Netflix - and watch something new.  Something stretching.  Something you might hate.

Part of the problems of 2016 has been that - as a Remain supporter in the Referendum - my newsfeed was full of sympathetic Remain posts and people.  It led to complacency because I rarely met a Leave voter - and yet!

The Echo Chamber we call freedom.

Similarly in the States, most Clinton supporters thought Hilary had it sewn up, because their news feeds were full of reasons to disparage Trump, comedy comments on his latest faux pas… and yet!

Pretty well.

So yesterday I went to see a largely female coming-of-age film called The Edge Of Seventeen.  Not my usual fare.  Actually very funny, very serious, and in terms of gender and generation - as far as anyone can distinguish - eye-opening.  A window on another world.

A window on a world other than mine!

Which reminded me that it's not the first film called Edge Of Seventeen.  The first was an American coming-of-age film about a young gay man.  And when I saw that I learned much about what it meant to be American and gay and of an age that came of age in the 1980s.  Another window on another world.

Another window, another world!

And today there was a report out.  Dame Louise Casey finds that segregation and social exclusion are at worrying levels.  Not universally, but there seem to be less bridges between different ethnic groups.  Less understanding between different people.  Disquieting returns of homophobia and misogyny.  A slow-down in the acceptance of trans issues.

Don't let all that hard work be undone...

The incarnation - God moving heaven and earth to cross the bridge between him and us - is a good reason to get off our collective bum-bums and leave our comfort zone for a while - maybe first of all by experiencing different worlds at a distance through the window of cinema.  And then it becomes a reason to turn off Netflix, leave the cinema and go and meet some of these people I've learned a little about on the screen.  Build a bridge.  Start a conversation with a Muslim woman, a gay man, a trans teen, someone festooned in piercings and inked all over with tattoos.  Or an elderly white woman.  A Tory.  Find some safe space, ask some questions, admit to some prejudices, beat back ignorance, make a friend.

More people doing this, please!

Or just read all this, nod sagely at the way my liberal agenda matches yours, and get your favourite box set out for a comfortable re-watch.